mit den vier musikern der erfolgsband reamonn uwe bossert, gomezz, sebastian padotzke und philipp rauenbusch, und ihrem neuen bandmitglied thom hanreich (band vivid, solo: thom.) haben sich fünf menschen gefunden, die der enzyklopädie der musikgeschichte allesamt klangvolle kapitel hinzugefügt haben. alle fünf wissen gut, wie rock n roll schmeckt und wie ruhm riecht. und doch steht ihnen der sinn nur nach einem: musik, die mit ernsthaftigkeit entsteht, sich aber alles andere als zu ernst nimmt.
stereolove veröffentlichen mit stereo loves you ihr erstes gemeinsames album. nach >this is it< schicken stereolove mit >what if (i just want to go home)<, einem starken popsong mit unwiderstehlicher hook die zweite single ins rennen, welche der titelsong zur neuen romantischen komödie mit diana amft >frisch gepresst< (disney) ist.
gepresst auf farbigem doppel-vinyl - 1x blau marmoriert, 1x orange marmoriert.

the 2nd longplayer from beach house as double 12 inch vinyl in gatefold sleeve, cd-copy of the full album included.

das vinylformat des gleichnamigen debütalbums des quartetts poor moon aus seattle, benannt nach einem canned heat-song. poor moon bestehen aus den beiden fleet foxes-mitgliedern christian wargo und casey wescott sowie den beiden brüdern ian und peter murray (the christmas cards).<br /inklusive >cd-kopie des albums.

like their american third stream predecessors, the three musicians on stage, donald chifamba on cello, vimbai mukarati on sax and vocals and his brother tinashe on congas and marimbas, accompanied by the experienced pianist filbert marova, produced a kind of music that resisted any kind of stylistic pigeon-holing. it also mixed the influences of classical music and jazz but added in pop, soul and the melodies of their shona culture.

its been a good year so far for a1 bassline, with a string of well thought of releases on dirtybird, his own imprint sourceunknwn and the much touted pets recordings, the home of catz and dogz.this new offing on his own label again phobia, a colab with the fast up coming bobby champs (pictures/hypercolour), is sure to have similar success, on the b side kevin mcphee delivers a dark techno remix.

burkhardts latest stroke, including the hit delight. now we are back again with a charming selection of remixes, including work by tobi neumann and julien veniel aka djulz. tobi neumanns remix reminds the attentive listener to the old days of oslo. it is so to speak on the point. its light, but still complex in a special way. tobi carefully unhinged the catchy vocals of delight, added it at some points and put his glance over it. the b-side is home to djulzs interpretation of pianissimo. a dark and powerful house track, that finds its glory in its simplicity. a subtle piano sample is the basis for a forward moving drum pattern. here and there an eerie vocal shot rises and guides the dancer through the musical mind of djulz.

nice price deal !!! we are glad to welcome two gladiators of the slow-house game to our comfortable little home. behling and simpson have turned quite some heads over the last year with great efforts on their homelabel futureboogie recordings and bristol based applepips. with their recognizable slow but jacking sound they have now come up with a mesmerizing 3 track counting ep which covers different sides of their varying flavours.

fuselab introduces a new 12 inch ep single of our long-time bros and comrades kott & wellbeck. >can you< ep - a deep house set with a certain classic touch in its best from the south bounds. four tracks bringing a real ear and soul pleasure both on the dancefloor and at home, pool or any place you might color with smooth and touchy vibe.
supported by: laurent garnier, christopher rau, someone else, ramon tapia, kink, anton kubikov (scsi-9), nudisco, slam, ascii disko, andrew grant, oliver schories, owen jay, tsugi mag ...

atjazz & fred everything are back together again. their last collaboration dates 2010 on lazy days but the pair have been friends since the late 90s and have collaborated and remixed each other countless times. the beast and the ghost explores the deeper, dubber side of their production. the project was started in derby and finished in san francisco, while atjazz worked on his inside dub from home. this will be featured on the upcoming lazy dubs compilation, out in january.

ashley beedle is one of the pioneers of global dance music. a man with so many different musical hats its dizzying. a man who is as at home playing and producing deep funk, soul and reggae as he is with cutting edge house and techno and everything in-between. a man who has had as many akas and pseudonyms as a wu-tang clan mc. a true inspiration to many of todays crop of djs and producers, including us here at girls music hq.

limited grey marbled vinyl in silk screened sleeve.
ground control to major brownz: take your protein pills and put your helmet on!
after successful assignments on broken music and subway records the time has come for a new mission. warriorz records will be your commanding station and home base for this one. they will monitor and analyze all your progressions. report to ground control only.
the mission is clear: discover as much uncharted territory with lesser musical taste as possible and acquaint the inhabitants with dubstep music. your weapons of choice: three well preserved dubplates, manufactured in your own special way to ensure the successful outcome of this mission. they must hear and feel what brownz music is all about!
your selected armory: space 21, confessions and the watcher.

disclosures new single >latch< stormed out of the blocks and has racked up almost half a million plays across soundcloud since going online last month and we now have the video courtesy of recent collabrators bullion (they produced disclosures first video for their track >control<) which has received over half a million plays since going live on 10th october. latch feat. newcomer sam smith marks the first single for their new label home pmr records (jessie ware, two inch punch, julio bashmore). the brothers recently announced their first london headline show at plan b on december 6th, which sold out almost immediately, with this the boys have lined up their debut national tour culminating in a show at heaven in london which is also sold out.

four deadly cuts of timeless, jackin house and deep techno professionalism. och returns to his autoreply home with a new series of split 12s inviting a diverse group of producers to share a slab of wax. for the a side he opens with >deltic< which sets the mood with tough yet soulful chicago vibes. ochs second contribution is >freeze-thaw< showcasing a deep, hypnotic groove alongside powerful sub-bass, lush female vox with dreamy analogue pads that bridge the gap between artistic creativity and memorable club versatility. on the flip side its romanian all-rounder, the model, who has previously graced premium labels such as traum schallplatten and international dj gigolo. here he delivers two ultra-phat workouts in the form of >dungeon man<, an infectious chord driven floor-burner and >stancuto< a stripped back, percussive take on the same theme demonstrating his emerging new warehouse sound with just the slightest salute to echocord or dehnert...

after a summer hiatus from releasing eps, we are back in a big way.... next up on the artist series is the first american to release on our label, the all round nice guy and king of all things av the one, the only, bobby c sound tv. already getting support from the likes of krafty kuts (who listed papa grande in his top 10 tunes of 2012!!) you know this ep is gonna be the business... are you ready for the funk?

new years deal - after recording tapes & cd-rs at home since 1994 in france, the first release of violence fm on vinyl appears tardily on mathematics recordings in 2009. in 2010, he has released a amazing ep on the french label premier sang that reminded us the work of the detroit pioneers especially derrick may & the genius of new wave new order. rhythm playing and drum-machines programmings, editing, mix and mastering, his compositions are often inspired by tribal spirits, organic deep bass and melodies, oscillating beetween smoothie and energy, or both.

dj nature aka milo steps uponce again to the indispensable golf channel label, with his eagerly awaited debut artist album comprising all original material. a founding member of legendary bristol sound-system collective the wild bunch (which spawned massive attack, tricky and much more), nature made nyc his home in the early 90s & went on to collaborate with the major force crew in japan, before hooking up with gc boss phil south, who thankfully persuaded him to don his production cap once again. there followed a series of acclaimed 12 inch releases through gc which developed a trademark sound, a sound he’s fully realised on >return of the savage<. natures unique take on modern black music is somewhere between the bass heavy sound system cuts on which he cut his teeth and the more nuanced vibe of peers like theo parrish. irresistible, low slung and beautifully structured yet raw club pieces make up this outstanding selection - a superbly packaged gatefold double lp, complete with download codes for individual tracks as well as the mixed version.

new leng signing auf togo are the combination of clement cachot-coulom from the fabulous penetrators and sasa crnobrnja, one half of in flagranti. their combined sound is one of vintage recording equipment and instruments coupled with tweaks and blends from the modern studio. this new 12 inch for leng draws on all their knowledge of the past and of the current club scene, effortlessly gliding through deep, warm analogue sounds and tougher studio techniques. both tracks have guitar work that reminisces of a late 60s west coast scene laid over strong bass lines and beats giving the perfect mix of home listening fuzz and a late night dance floor.

djulzs bass culture records revisits home soil with its forthcoming work ep, from young parisian techno gem, john jastszebski. bubbling under the radar whilst building support through residencies at paris social club and rex club, jastszebski received affirmation for his early productions from the likes of luciano, richie hawtin and agoria. flash forward to late 2012 and djulz has snapped up the talented producer for a four track ep, backed by a bonus remix from chicago born, detroit raised house don, delano smith. the work ep is all twilight silkiness, the skill behind the alluring, forward thinking construction instantly inviting you on the journey. from soothing piano riffs to tribal drum work and allusions to mother nature, the work of both jastszebski and smith on the remix maintains bass cultures tradition of technical clarity and creativity.

one of detroits most loved exports, recloose, takes his stuff home and gets remixed by two of the cities most illustrious producers...

daniel blackbelt andersen has been active in the norwegian dance music community for a number of years. he got into electronic dance music in the early 90s, and first started emulating the sound of detroit techno on his fathers home computer. these are three brand new tracks not being part of the recent album ii.

back in february of this year sebastian radlmeier made his production debut, remixing rodriguez jrs >bitterweet< on mobilee. however, was this really a first or had we heard those honed tech beats before? sebastian radlmeier, owner of the paso music imprint, is also better known for his work as, sebrok. a host of key releases and a successful artist album, >the pain<, placed him firmly on the techno map and with a trio of strong eps for ideal audio, the berlin native is now a key member of our family. today he returns to the home of huntemann, discarding the mask and unveiling his latest work as sebastian radlmeier, backed by a blistering remix from the inform canadian producer, carlo lio. fans of sebastians previous alter ago fear not. >is it you or is it me?< is a trademark tech gem. its enticingly deep and hypnotic groove works to perfection as the vocal tells the secret of this techno love letter. on the remix is fellow tech-titan, carlo lio. without doubt one of the most in demand dj/producers of the moment, the toronto native has enjoyed a golden year to date.
played by hernan cattaneo, nicole moudaber, marco bailey, stephan bodzin, ambivalent, mistress barbara, kaiserdisco, 2000 and one, christian smith, adam beyer, gregor tresher, guy j, karotte, dustin zahn, mauro picotto and maaaany others

a real treat up next for you on apple pips, coming from talented plymouth based beatsmith phat chex … phat chex aka ben pooley came to apple pips attention through the dj/promoter necta selecta, who was repping chex beats at the legendary subheavy parties. when necta dropped >git da funk<, it was a case of >who the ruddy heck is this by?!<. a friendship was struck up, and tune swapping has resulted in these two beauties being dropped on wax. a versatile producer who sums up the current bass scenes openminded attitude to genres and influences, chex is at home making deep electro, heads down techno, smokey jazzed out house, or post whatever bass music.

endangered species is the eagerly awaited full-length album from wolf + lambs musically virtuosic no regular play, a duo equally at home in the rehearsal rooms of julliard as in the main room of fabric.their debut album was made in early summer 2012, exclusively in the studio of new york citys marcy hotel. over the course of 11 elegantly interlaced tracks, greg paulus and nicholas debruyn create a veritable cornucopia of beautiful forms

complicated universal cum is the solo project of frederik valentin. valentin is already involved in numerous rock constellations around copenhagen, but none as uncompromising as complicated universal cum.

fachwerk boss and dubby techno don mike dehnert steps away from his usual home for a new ep on delsin entitled!umgangston. its not his first time on the label following last years fachwerk album, but it does see him cast his sonic net a little further afield.

having spent more than seventeen cross-genre years featuring on dance musics most prestigious imprints, blu mar ten are opening the doors of their own label to a host of fresh young talent emerging from the leftfield of drum & bass. blu mar ten music (bmtm) is a home for the beautiful and the ugly, the elegant and the awkward, the euphoric and the melancholy. with a list of talent already lined up to deliver a rollercoaster of emotions and a desire to stand out rather than fit in bmtm is guaranteed to be a label to watch. the second release in this new chapter comes courtesy of multi-genre wizard, eleven8. having shone his talent on a number of quality labels including hospital records sister-label med school, eleven8 joins bmtm to showcase his drum & bass stripes with two tracks strictly designed for intrepid explorers.

jack dixon follows a string of critically acclaimed releases for apollo (r&s), take and losing suki (hypercolour) with his debut outing for hotflush. influenced by the sparse atmospherics of wolfgang voigt, the playful intricacy of autechre beats and the off-kilter grooves of uk garage, the berlin-based producer is unconstrained by genre or place, pioneering a modern, progressive sound that has already garnered him a glowing reputation. in turns colourful, ambient, melodic and driving, his new ep feels right at home on scubas label. beginning with a deceptively clean and minimal rhythm, >e< slowly gives way to lush glacial drones, skittering beats and huge euphoric drops to form a bold production that sits somewhere between the early morning techno dancefloors of berlin and the murky sweatbox raves of late-night south london. on the flip, he delivers the soulfully taut >find shelter<. warped vocals weave in and out of an insistent, jazzy house groove, backed by a tapestry of glitches, vinyl crackle and live drum flourishes. it all leads to one of the most delirious and ecstatic drops you will hear this year.

nice price deal !!! aÑa / henning baer / norman nodge / musk.... no one knows exactly how, or why it happened. we can only postulate. perhaps it was rogue hydrogen atoms causing havoc again, or a particularly voracious wave of em radiation hell bent on finding a good time. the point is, (in those days) such lude behavior was simply unacceptable: aÑa had become excited, too much so for the solar stiffs that swirled about her. and that system of hers—always buzzing around, refusing to share anything—it had to go. so both were exiled from that collision patch they called home, leaving aÑa and her system to wander the cosmos. some years passed. aÑa grew a little, but mostly she practiced her basswalk—not this girly swooshy thing with your hips, but a real bolshy bovver boot stomp. after a while she got pretty good at it, she wanted to show her friends. maybe theyd like to basswalk too. well, they couldnt get enough of it—but no one did it quite like aÑa. henning baers had a bit more groove to it and this whole new tweaky hat element. norman nodge kept his pretty punchy, but all that time spent in berghain had turned his basswalk into a bit of a skulk. as for musk, the boys inverted the whole thing of course—turned a disco trick, shifting the march down into more of a slinky house glide. aÑa liked them all so much—and it was time isolated system stopped being such a separatist—she decided to gather them all together to make basswalker part i. now you can basswalk too

the cheapers are berlin djs ruede hagelstein and franzen texas. both are resident djs at watergate club, and call upon you records their home label. our friends contribution to the bar25 discography has been cooking for a long time, and now, finally, is ready to meet the light of the musical world. the title track, too late, is a cooperation with berlin djane and singer meggy, who has already seen success this year with re.you & rampa. the original is a soulful deep house track thats been freshened up with a tech-housy remix by smash tv. vinyl only, the cheapers have also added a particularly special track which features some dark sampling that the two artists refer to as gothic house

mussurunga - that is the name which is used by the complete body inked cousins sigi aigner and didi bruckmayr for their outstanding performances on club dance-parties, festivals, free-parties and weddings in the home- and foreign-countries since more than two years. at their shows they use deep bass-lines, demanding beats, gentle hooklines and raging 3-d objects. the large sized mr. state-opera-chorister aigner and the dwarfish universal-bush-leaguer dr. bruckmayr also are known for their benedictional work with the performance-group fuckhead, for them they count as finded minds. mussurunga is a frowing suburb of the brazilian provincial capital salvador da bahia, which aigner and bruckmay vistied job related. while one of them waited without success for a date in mussurunga and spent all the spondulix which was meant for the taxi, the other one worked very hard in the regional beach-bars on artistic concepts. the result of this jobshare is, among other things, the present ep.

5 compositions firmly rooted in chicago, but offering variety to the romanticized concept, as marcell holds true to his home town production ethos with sampling, beating arrangement, and spoken word.

parkway recordings is pleased to offer you the first taste from their sister company parkwest, a new home for the latest progressive dance & house music. in a market awash with cookie cutter deep records, parkwest aims to bring you house music with soul and substance, fresh … but with no sell by date. in other words, records to cherish. for the first release we are excited to welcome the very talented librah to the label. his first release 2bwu (to be with you) is hypnotic and sensual music at its best, wearing those nj / ny roots on its sleeve, we love it and are delighted to share it with you!

daniel blackbelt andersen has been active in the norwegian dance music community for a number of years. he got into electronic dance music in the early 90s, and first started emulating the sound of detroit techno on his fathers home computer..

surfacing earlier this year with last home (the much loved opener to futureboogies 10 year anniversary compilation), bristol based producer, drummer & dj luke harney aka typesun has had his head down for a while. working on a sound, pulling strands of musical experience together and letting it emerge in its own sweet time.

new slightly off season various artist release! the label say: >after last years summer special in the winter it looks like the calendar at wphs hq is up to par again! luckily so is the music, as this edition of the summer special series focuses on three tracks that were about to get lost in the ever-growing jungle of digital only releases. but like a true dr livingstone red d set out to find these babies a home on vinyl, so here we are!<

>a correction< is the new album from fieldhead and continues the dusty, bereft sounds of previous releases – they shook hands for hours (home assembly 2009) and riser (gizeh 2010). 2010 saw paul elam depart the uk for vancouver, canada and there is no doubt that the vast northern candian landscapes have influenced the new fieldhead material. the familiar tape hiss, scratchy, decaying atmospheres remain in place but with a correction elam has managed to sculpt a vaster, more expansive palate of sounds. minimalistic on first listen, a correction is a record which slowly unfurls on multiple listens to reveal subtle melodies and details that dont distract from the overal ambience but in fact set apart fieldheads music from many other, safer artists within the genre.
limited edition 180 gram vinyl, includes code for free mp3 download of the full album.

rhythm odyssey is a production alias of the one and only dean meredith (chicken lips, goat dance etc) here he has teamed up with dr dunks (eric duncan, rub-n-tug) and tis second part of their 2 12 series, the duo have crafted some deliriously good mid-tempo balearia, circles could be a long lost remake of e2e4, and has sunset moment written all over it. >glow< takes the same ingredients and transports them into early 80s dubbed out territory - superb!

keeping with tradition, the second italojohnson release of 2012 once again presents itself in the likeliness of a 12inch wax with three tracks. the one-track mind repeats the same funk-nationalistic character of italojohnson and once more shows its simplicity. this tune comes to its rite where it is loud and dirty but even headz sitting at home will be able to feel the sun rise. boom shakalaka. the double-track side has some surprises in store for its listeners. for those in the know, the first track is also known as >bootytrack<. this track always pushes the low end to the limit and under the right circumstances guarantees some hip swing. number two may sound familiar, but even if you dont know its rootz, youll still be down with each other

das beste kommt zum schluss, wie es so schön heißt… acker records wirft zum großen finale der aktuellen freiluftsaison noch mal eine ordentliche portion vertonte sommereuphorie in die runde, oder besser gesagt auf die tanzfläche. warme klangfarben, lebensbejahende rhythmen und eine gehörige dosis hitpotential ziehen sich durch die rillen der platte, welche die herrschaften dole & kom hier vorlegen. für das ständchen auf ihrer „quetschkommode“ lassen sie sich von südamerikanischen melodien inspirieren, die passende percussion dazu liefert entsprechend temperamentvolle schubkraft. home beginnt mit minimalem groove, aus dem takt für takt immer mehr melodieschichten herausfiltern, der rhythmus baut mit jedem beat weiter auf… bis sich der hörer plötzlich inmitten einer zwingenden house-nummer wiederfindet, ohne zu wissen, wie er dort eigentlich hingelangt ist. die b-seite gehört mollono.bass. mit hüpfendem offbeat und funkensprühenden hi-hat-kaskaden treibt er die ausgeprägte latino-euphorie der quetschkommode durch dubbige hallräume.

craig mcwhinney is a melbourne based dj, producer and live artist. beginning his techno explorations behind the decks in 2000, his transition to the studio has been swift and fruitful. a string of releases on his own label haul music which he co-founded in 2008 with friends mike callander and christian vance, are now being backed up with remixes and eps for speedy js electric deluxe, and brendon moellers steadfast records. drawing upon his wealth of djing experience, he crosses the boundaries of dub infused techno and house with precision and intent, blurring the line between dance floor dynamics, home listening, experimentation and sound design. he is also collaborating with mike callander as haul music live, fusing craigs rhythms with mikes soundscapes to create unique dance floor interpretations of their individual sound experimentations. wild coast is a low-slung filthy minimal romp that possesses as much primal energy as it does futuristic funk. bassbins and heads are likely to be blown by this demented puppy. echologist keeps things lofi, hypnotic and subby.

the layabouts are anything but. 2012 marks leigh darlow and alex paschalis 10th year together and they have never been so in form or demand. their cast iron reputation for quality deep soulful house – house music forged with feeling and real purpose – continues, impressively, to grow.
rhythm master darlow and guitarist cum orchestrator paschali first met in 2001– in home city london – off the back of various projects in the same studio space. in time, their mutual love of expressive house music would lead to cult licks feelin right and the way i feel, sizzling material for kenny dope gonzalez and hot-to-trot remixes of dj spinna, da lata, dj spen and robert owens, and soulsearcher.

after successful debut album release hitting home on is own imprint paso music, marc is back on bondage-music with a huge follow up ep incl.brilliant remixes by mihai popoviciu & toygun and mario aureo. early support by ron flatter, ramon tapia, tom clark, claude vonstroke, richie hawtin, wehbba, david jach, sebrok, andreas henneberg, stephan bodzin , miguel lobo, beatamines, markus homm, bunte bummler, sascha sonido, nicolas masseyeff, david keno, pascal feos, oliver schories and many more

six artists remix the rich sound material from sven kacireks lp >scarlet pitch dreams< (pingipung 32, april 2012). svens original percussion recordings and his densely layered melodies invite for a rework which fo- cuses on the single elements. robert lippok (to rococo rot, raster noton) turns the title track into a balearic sunshine dance until the voice and synthlines evoke a deep and driving witchhouse at- mosphere. absolutely awesome remix! opiate aka thomas knak from denmark (morr music) is one of pingipungs favourite artists in the world and we are very happy to have his remix included here. his highly individual syncopating beat works dive into the pool of svens percussions, with the snare and marimba always in the foreground.

this latest release from hizatron and bashley galvanises the usual wigflexian- gloop with a more industrial edge and a superb implementation of found sounds. a darker pallet underpins the record but this is inverted then lifted with inserts of scattered euphoria. whilst all that is synonymous with the current face of techno lurks consistently in the background throughout, in an almost redemptive fashion, we are hoisted upward from a chromatic descent and set forth onto a crisp, bouncy path peppered with light. the depth of stereo field is utilised perfectly here and the use of dimension is something of a staple for all of those who call wigflex home. hizatron is known for his seamless arrangements, catchy melodies and punchy percussion and this record has that unquestionable tron swagger but the familiar sound is accelerated by new influences from bashley who although a relatively unknown member of the family brings a fresh range of timbres that compliment hizas signature grooves.

following the recent release of his stunning fabric64 album, international virtuoso guy gerber brings his mesmerizing productions back on to home ground to release on his supplement facts imprint. dop frontman jaw, london based producer midland and footprintz golden boy clarian north step in to lend their artist talents, creating nothing short of a flawless release.

continuing the success of ben sims and kirk degiorgios joint project machine - a clubnight which focuses on new, unreleased, & upfront music its primary home in london, but with editions all across europe each year - ben & kirk set out their stall with the debut release of their new imprint of the same name.kirks machine theme slips into deep & melodic grounds,while bens metalworks brings a harder, dead-of-night techno feel. sims also lends his remixing skills and provides a tougher examination of machine theme

breaks and hip-hop producer ninelives the cat comes through with this nagging slice of solid production and catchy vocals in the form of >lalala<. the chorus hook will claw into your head like the feline in control, while the choppy funk licks that make up the beat will find a comfortable home on dancefloors all over. on the remix tip, funkanomics bring an uptempo 80s flavour with filtered guitars and brash drum machine beats, while dj alias does a more subtle turn in tightening up the groove of the original. will styles rounds things off with an electro-indebted workout full of chunky synths and club-ready construction.

dimi angelis & jeroen search make their first appearance on par grindviks stockholm ltd label with their >rhetorica ep<. the pair have been working together since their debut collaborative release on music mans sublabel, ion, in 2004. since then they have released on figure, smallville, traut, balans and their own imprint a&s. they also produce together under the >counterpart< guise and have eps on jeff mills 6277, oscar muleros warm up and the advents kombination research under their belt. the >rhetorica ep< is a lesson in deep, patient and hypnotic sounds. a rounded ep that works both in home and club, and will undoubtedly prick the ears of the techno fraternity. jonas kopp interpreted both the originals into a version of his own. this remix is full of drive and energy, something he brings to all his works.

uk producer jason courtney aka simplicity is beauty makes his long awaited heavy reel debut in real style with this atomic bomb of an ep. from the low slung driving bass of title track >i am colossus< to the more stripped back sounds of >the obelisk<, its an ep that crosses genres & straddles the fine line between electro & techno. we are sure it will find a home at most parties.
the newly formed dynamic production duo of unsubscribe - techno baron dave clarke & mr jones complete the package with their own twisted & distorted take on the title track, evoking memories of some of daves classic electro mixes from back in the day.